Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence, and linger in the beautiful foolishness of things. ~ Okakura Kakuzō in his Book of Tea
It’s tea time — that golden hour of slant afternoon sun that warms tables & fills rooms with light. My elderly cat (18!) sprawls on the table runner, basking in the sun. It’s the time when water burbles happily in a kettle — glass, if you’re lucky, so you can see the bubbles! — and you find a mug, or a cup & saucer, and maybe a cookie. Or two…or three…
Today’s tea is brought to you by poetry, and Okakura Kakuzo, practically a poet of tea. See the above quote if you doubt. One of the lovely moments in life is to read poetry you love (or write drafts you probably don’t! — while you sip tea.
My favourite tea used to be a china black, a nice serviceableKeemun. It’s still the house tea, and the fav. But as my tea time moved later in the day (winter nights come early), I found myself drinking more herbal teas, fruit teas, and occasionally a small pot of matcha when I really need some energy. My favourite is peach matcha. It allows me the ritual I seem to need, to calm down & refocus my dissipated attention. I indulged myself in a little matcha scoop, as well as a small bamboo matcha whisk. To brew it, I use a small (2-cup) glass pot, when I want more than just one gai wan.
There IS a fair amount of caffeine in matcha, but nothing like what there is in two (or more!) large cups of black tea. And theine is significantly smoother to process than caffeine.
Yesterday, however, I made masala chai, as I have often these cold winter days. The gentle spice is warming, and the addition of milk & sugar make it a bit more substantial than the jasmine I tend to drink in summer. Today it’s Hao Ya A, an extravagant holiday treat from my beloved. It’s a glamourous uptick on the usual Keemun, this one even more assertive. And while it sounds almost sacrilegious, I like it with milk & Demerara sugar, as I do most afternoon tea. Again, it just feels more comforting. And while milk & sugar may not seem poetic, a hot cup of afternoon tea — lightly sweetened & with milk to the colour winter grass — is the best kind of material poetry. You can feel the magic grow with each peaceful sip.
So heat up your kettle, if you have one. Or microwave a mug of water. Add a tea sachet (they’re much better quality tea than teabags, if you can afford the little bit extra!). Even an Oreo goes well, and you can have a lovely respite mid-afternoon, when work & all the rest of the world can recede to less importance. I promise: it’s the best moment of the day. And immeasurably poetic, isn’t it, Okakura Kakuzō-san?
This post is courtesy of my blogging for Nimrod Literary Journal — a wonderful journal of poetry, fiction, non-fiction, photography, & more. I’ve been associated with Nimrod almost all my writing life, with short hiatuses when I moved away from Tulsa. I adore it. This post began as I tried to get some input from numerous academics, poets, writers, and other literati types on my FB page about what makes a poem great, and who gets to decide. From there, it went to a spirited discussion of the whole literary canon. So here you go, a confusing discussion of an exceptionally confusing topic ~
I watched the most amazing half-hour series yesterday — Poetry in America’s 1st episode in this spring’s offerings. Centred on the iconic Emily Dickinson, and her poem “I cannot dance upon my toes,” it’s one of the few poetry specials I remember to make manifest the links poetry has to other fine arts. Specifically, music & dance.
Yo-Yo Ma ably represents the music side of things, playing the cello as if it was a voice reading. His incredible fingering & bowing turn the simplest rill of notes into something astonishing, much as Dickinson takes ordinary words & creates an image that stuns.
Dancer Jill Johnson, poet Marie Howe, and actress Cynthia Nixon (who plays Emily Dickinson in film) join host Elisa New in unfolding the layered origami of Dickinson’s poetry. It’s astonishing, and so worth watching!
In other poetic business, NaPoWriMo’s prompt today is magick! Seriously — use magic(k) in your poem. It’s good practice! And here’s mine — a fusion of yesterday’s prompt (which I missed!) & today’s:
She finds herself dividing like a cell
Is it mitosis or meiosis ~ she doesn’t
quite remember. Perhaps the brain
is what does not cross over.
Perhaps the cells cannot communicate.
It was never easy.
This cell this one she lives in now
neatly divided borders clean-edged
is the mother the wife the sister/daughter
she from whom the other cells draw energy
That cell the one of brilliant colours
as formless as internal music
pleochroic emerald ruby citrine
is who she might have been
who she is sometimes
in her dreams. Messily bordered
without shape or form.
And somewhere in the middle
is the space that neither one inhabits
that void of becoming
before the words begin.
Today’s the 6th day of one of my favorite months — National Poetry Month. Which is also National Poetry WRITING Month, NaPoWriMo. AND…my birthday month! How filled w/ great stuff can a month get?
The NaPoWriMo prompt for today is about the line — about changing it up, about playing with it. But since I didn’t write yesterday, or do yesterday’s prompt, I’m combining them. A word in a language not my own — riffing on what it looks & sounds like it means — and line change-ups. You can let me know how that works for you. Here you go:
how our frantic panic
burned like a torch
incinerated any good
whatever we once knew
of any middle path
how lust too was a torch
an incandescent inferno
in which both our bodies
burned to cinders
the cooling of lava
the way the embers bank
how they glow
beneath the black ash
of what we lost
 Torschlusspanik is a combination of three German words, and literally translated means “gate-shut-panic.” Apparently the term dates back to the Middle Ages in reference to the panic medieval peasants might have experienced as they rushed to make it back inside the city gates before they closed at nightfall.
I also want to offer another poem I love, one I read at my first public reading (where I was asked to choose a poem to read). It’s by one of my favourite mentor poets — Denise Levertov. An anti-war poem, it looks at the people of my childhood home, ViệtNam. And the ways in which we forget that the real victims of real wars are real people.
I hope that’s not too much food for poetic thought!
Here’s today’s NaPoWriMo post (still playing catch-up!):
I can taste it: the airy mouthfeel of eh
the whisper plosive of pē
how the round liquidity of ol fills
the back of my throat like thick honey
and then the crisp wafer of trēē
breaks between the teeth.
It is my secret delight
my hidden pleasure
that I take out in solitary hours
and eat gluttonously
fondling the buttery syllables.
 epeolatry: the worship of words
I see the word epeolatry and I feel obliged to confess: I’m a total word nerd. I was that kid you hated in 4th grade, who begged for spelling words, and won the spelling bee, and had her nose in a book so often that even my grandmother – an old teacher – yelled at me: Girl! Get your nose out of that book! I didn’t invite you to read all weekend!
Recently I learned a new word: ‘squeg.’ It means to ‘oscillate between max and zero, as in an electronic current.’ But the student who brought the word to class (she had it played against her in Scrabble) thought it meant the apogee of a conversation. I thought when I heard her definition: hmmm… who knew conversations had apogees?
Still, it’s a new word, however discordant it sounds. It’s hard to make melody from a ‘q’. I used to love the word queer, until it began to be used to beat up dear friends and family. I liked the way the mouth pursed to make the qu dipthong, and then almost smiled to make the ee. It’s noticing (and caring about) things like this that confirm my complete word nerdiness.
All of this makes me quite odd, if you think about it: ‘squeg’ is an unlikeable word. Says me. But how can you like or dislike a word, you ask? Now a sentence – that’s different. It may be poorly written, unclear, etc. We all remember THOSE classes. But an orphan word? Unattached to its parents subject and predicate? Naked of modifiers? Ungendered in its lack of pronouns? What’s to hate about that??
I give you… music. There is no music in ‘squeg.’ It even lacks the onomatopoiea of ‘squelch.’ Or the whispery dead finality of ‘squish.’ It’s the ‘g.’ The whole word becomes guttural. And for word nerds? That’s enough.
Except actually, according to this Venn diagram, it’s word ‘geek’: if you’re obsessed w/ words (guilty), and reasonably intelligent (debatable), then you’re a word geek. No rhyme, unfortunately, but accurate. Which should be worth at least as much as rhyme, even if it doesn’t sound as good.
Which leads us (oh so meanderingly) to National Poetry Month. And my charge to you this month to post a poem to social media. Maybe even daily! It should be one that’s somehow special, or at least one you have strong feelings about (I may post one I HATE!).
Today’s poem from me to you is one that’s as awesomely ridiculous as possible: Ogden Nash’s The Tale of Custard the Dragon. He’s one of my favourite poets — there’s not a pretentious bone in his devilishly funny body of work. I just remembered this one, so here it is. Enjoy! And remember: a worship of words is a necessary evil in a world that values poetry!
 The worship of words.